A Biographical History of Dame Flora Robson

Dame Flora Robson 1902 - 1984

A highly distinguished character actress of both stage and screen, Flora Robson made her screen debut in Dance Pretty Lady in 1931.  She spent some years as a welfare officer and whilst resident of Welwyn Garden City, worked at the Shredded Wheat factory.  She returned to acting and was made a Dame of the British Empire in 1960.  It was in 1973, that Dame Flora opened Campus West and to whom this gallery is dedicated to both her achievements in the local community and the wider arts.

Biography for Flora Robson

Birth name Flora McKenzie Robson
Height 5' 10" (1.78 m)
Date of birth (location) 28 March 1902.  South Shields, Durham, England, UK
Date of death (details) 7 July 1984.  Brighton, East Sussex, England, UK. (cancer)

Flora never married or had children.  She was knighted as a Dame Commander of the British Empire (DBE) in 1960 for her contributions to the theatre, and appointed a CBE in 1952.

An immensely distinguished character star of stage and screen: too plain for leading romantic roles, she wisely settled early into middle-aged parts, playing many a dangerous spinster (as in Poison Pen (d. Paul L. Stein, 1939), when she was still well short of forty), homely housekeeper (she was Nelly Dean in Hollywood's Wuthering Heights (US, d. William Wyler, 1939)) or regal personage.

She was, for instance, the Russian Empress Elisabeth in Catherine the Great (d. Paul Czinner, 1934), Elizabeth I in Fire Over England (d. William K. Howard, 1937), and, in an extract from this, The Lion Has Wings (d. Michael Powell, 1939), and Hollywood's The Sea Hawk (US, d. Michael Curtiz, 1940). But there was much more than this to her illustrious career.

Educated at Palmer's Green High School and RADA-Bronze Medallist, she was on the London stage by 1921, acting a vast range of classical and modern characters: she did Shakespeare at the Old Vic (1933-34), the murderous Ellen Creed in Ladies in Retirement (1940, NY) and a harrowing Mrs Alving in Ghosts (1958-59).

Her stage career is remarkable for the versatility of the leads she played, but her screen role-call is, unusually, almost of comparable quality. She is very moving as the careworn Mrs Ellis in Great Day (d. Lance Comfort, 1945), forcing Eric Portman to confront the sham of his life - and later forgiving him; is a startling Ftatateeta, "wrinkled deep in time" indeed, as her famous mistress clearly is not, in Caesar and Cleopatra (d. Gabriel Pascal, 1945) and even more so as the King's raddled ex-mistress in Saraband for Dead Lovers (d. Basil Dearden, 1948); is touching as a spinster reclaiming a lost love in Holiday Camp (d. Ken Annakin, 1947); makes an impressively unsympathetic, bossy MP in Frieda (d. Dearden, 1947); and her chain-smoking Miss Barker-Wise, another tough MP, in Guns at Batasi (d. John Guillermin, 1964) is a ripe, thoroughly known character.

The list is so full of mesmeric roles that it is sad to note that her last film was the inane Clash of the Titans (UK/US, d. Desmond Davis, 1981), in which she plays a Stygian Witch, unrecognizable but for the distinctive voice. In Hollywood she was Oscar-nominated as Ingrid Bergman's mulatto servant in Saratoga Trunk (US, d. Sam Wood, 1945), one of her least achievements.

On TV before WW2 as Anna Christie (BBC, 1936), but she seems not to have taken the medium very seriously, contenting herself in later life with a few cameos. Created CBE in 1952, DBE in 1960; it is hard to think who might be her successor.

Biography: Flora: The Life of Dame Flora Robson by Kenneth Barrow (1981).

Brian McFarlane, Encyclopaedia of British Cinema